Tate Green is our sprightly young actor playing Arlecchino
- the first since it was retired by Jason Fawcett back in 2002. Tate was last seen as
Ottavio in Sloop of the Damned, and
is the creator and host of the wildly popular YouTube Gong Show.
How has the process
of stepping into the fabled shoes of Arlecchino been?
Well, all of the tales of past La Fenice Arlecchinos – shots
lined up across the stage and all – I’m feeling it’s the perfect role for me.
Although I don’t think I can handle a shot thrown in my eyes.
Don’t worry, that
wasn’t Arlecchino’s eyes. Those were
mine.
Yes, but you threw it in your own eyes, right?
Yes. But that’s neither here nor there. Tossing liquor into your eyeballs is not a
requirement for the role, unless you’re into that kind of thing.
I enjoy the experience of playing Arlecchino a lot better
than playing the Lover. I’ve been having
more fun with it. I’m not sure if it’s
the character or the process that’s just a little more comfortable for me, but
I’m having a lot more fun this time.
Yes. You appeared to be pretty dour about playing
Ottavio in the last show [Sloop of the
Damned.]
Well, more than anything I was really nervous all through
rehearsal for Sloop. I don’t know if I didn’t
fully understand how the process was supposed to go when we started or if it
was just trying to do some fancy new kind of theatre. I mean, Commedia’s weird.
It’s funny that I’m less nervous for this show, while I’ve
got Gian Giacomo Colli breathing down my neck during rehearsals. I suppose he’ll get a lot more terrifying
when we start to layer in the larger physicality. I’ve been practicing Arlecchino’s particular
walks and my movement in my classroom just for that occasion, and my students
have started calling me out on it.
So what is your most
favorite thing about the way La Fenice puts its shows together? Ha.
How’s that for a leading question?
Yes. “What do like
best about my lovely face?”
I like that
it’s all super relaxed until – see, I got half way through a sentence before I
got negative – it’s all very relaxed until we get hung up on something, and
then you see people get passionate about the construction of some bit of
material or other. The way people debate
the nuance of a fart joke or fight for the inclusion of one of your weird
history references is really awesome.
The collaborative nature of the story building process is great – the fact
that rehearsal is totally interactive, and we all help each other in creating
and structuring each others’ work. You
don’t just build your own character and material, it’s all a result of everyone
sharing ideas. I think the whole process
has made a lot more sense this time around, and that’s made it much more fun.
It’s less onerous
this time than during Sloop?
Well, I still feel like we don’t have near enough time, but
I feel like when we rehearse this time around, everything has been tighter and
our time has been more purposeful. We’ve
had only four rehearsals, and it feels like we have 2/3 of the show hammered
down. I mean, we just have to toss in a
few extra jokes and we’re square.
Bah, who needs jokes?
Good point. Instead,
let’s just take turns reciting facts about the Holocaust?
Oh. That sounds experimental.
Yeah. We should maybe
add puppets. No, wait, let’s not do
that. It’s suddenly reminding me a
terrible formative experience I had as a young theatre kid.
What’s that?
Well, I was trying to learn about puppetry, and somehow I
wound up on a website called Puppetry
of the Penis.
“Somehow?”
I could have grown up a totally different person if it weren't for that website.
Fun Facts about Tate
Green.
I could have been [puppeteer and Company Member at Large] Dan Raynor. Hell, that might have been Dan Raynor. Oh, man.
Now I have to check and see if it’s still there. [An iPhone is retrieved, and Googling takes
place.] Sweet Jesus, it still
exists. What? “Now in 3D?”
Don’t put any of this in the interview.
I do not endorse this scary website.
Oh my god, it has mobile apps?
You are, at this very
moment, earning yourself a file at the FBI.
Children take classes in this building.
Holy wow. They just do full on handstands and stuff all naked, don't they? Are you blushing?
Next question?
Ahem. What sucks about making shows the way we do?
Can I say when Gian doesn’t understand American jokes? Or English?
Sure.
Also, when Aaron doesn’t understand Kate English, and Kate doesn’t
understand Aaron English. Adam always
seems to understand everybody. I think
he always understands everything.
Or it could be that
Adam is not wildly interest in understanding anyone.
Actually, the hardest thing is splitting my time with my job
and this. It makes show homework really
hard, especially since I feel like I’m not as funny on my own.
Wait.
Can we strike all the puppetry of the penis stuff?
No. We’ll be providing a link for our readers. That stuff is better than RuPaul videos.
Crap. So I guess my
grandmother can’t come see this show, and now she can’t read this
interview.
